Mavra
Pierrot Lunaire
Stravinsky’s one-act opera is based on a narrative poem by Pushkin, in which a Hussar disguises himself as a cook in an attempt to spend more time with his lover.
Schoenberg’s formally wide-ranging, atonal score for Pierrot Lunaire, pre-dating the 12-tone technique for which he is celebrated, transforms into Sprechstimme the texts of poems by Albert Giraud on subjects ranging from love, sex and religion to violence, crime and blasphemy.